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3D_Design
I like to incorporate 3D elements into my work (like the weboverlay), as they add depth and make designs more engaging. Using 3D also allows me to experiment with different perspectives, creating visuals that feel more dynamic and unique.
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Motion:
Synchronicity Campaign
Synchronicity is a campaign project that highlights the impact of fossil fuels while offering a hopeful vision for the planet. The final outcome was a hand-crafted animation supported by a logo and slogan, all tied together under the theme “We grow in sync.”
Motion:
The Grim Reality of Fairytales
The Grim Reality of Fairytales reimagines traditional stories by uncovering their darker origins. Through experimental visuals, the project highlights the violence and unsettling truths often hidden beneath their polished, modern versions.
The final solution was a animated AR-Poster highlighting the many Layers of traditional Storytelling-
P.S scan the code and point it on the poster :)
Motion:
NSEC-Animation
The goal of the branding was to create a dynamic and exciting identity for NSEC. The animation achieves this by building on the rocket launch featured in the logo, expanding it into a lively visual experience that captures the brand’s energy and forward-looking spirit.
Motion:
Barbershop-Animation
The video brings the slogan “One cut away,a fresh look” to life. A man enters Aba’s Barbershop with messy hair and leaves completely transformed like Hercules, with new strength, a sharp shave, and a fresh haircut. It playfully shows how one cut can make all the difference.
Print & Editorial/
Uni_Portfolio
“This portfolio brings together four key projects – Final Project, Experience Design, Timebased Media (find it on my YT), and Live Client – each exploring different aspects of design practice. Rather than following a conventional structure, I chose an experimental layout that plays with texture, rhythm, and visual contrasts to reflect the diversity of the work. The mix of research, storytelling, branding, and motion design is presented in a way that highlights process as much as outcome, creating a portfolio that is both a record of development and a design piece in itself.”
Flyer´s
"For the Slash Festival flyers, I analyzed the visual identity of festival advertising from that period and reinterpreted it with a fresh design approach. The briefing required changing the name from Splash to Slash, which I integrated seamlessly into the concept. The result is a series of flyers that balance bold typography, color contrast, and strong imagery to capture the energy and atmosphere of the festival."
Poster
“These posters were created for the Anfachen Award 7, where the theme was ‘Energy’. My approach was to explore the concept of energy from different perspectives – political, social, and emotional. Each design uses bold typography, experimental imagery, and contrasting techniques to visualize energy as something both invisible and impactful, ranging from metaphysical symbolism to raw, visceral expression.”
Branding/
This was a university project developed in collaboration with a real client. The aim was to create a visual identity for the National Space Exploration Centre (NSEC), a new interactive space experience based in Ireland. Unlike traditional museums, the NSEC focuses on playful learning, immersive installations, and creative storytelling to inspire especially younger audiences about science and space exploration.
Inspired by places like the Microbian Museum in Amsterdam and the Book of Kells, the centre merges science, art, and narrative to create a memorable visitor experience.
My design work aimed to reflect this dynamic and forward-thinking spirit through a modern logo, visual identity elements, and a wayfinding system tailored to the space environment.
RE_Branding/
As part of a university experience design project, I rebranded a small barbershop in Athlone, refreshing its visual identity and creating a more welcoming atmosphere. A hand-crafted animation became the storytelling centrepiece (click), inspiring a playful children’s corner styled like a Where’s Waldo scene. The project included logo design, signage, and interior elements, showing how animation and environmental design can enrich small business spaces with memorable, story-driven experiences.
